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    我是一个前哨基地的领导者 - 电影

    1986苏联剧情·儿童
    导演:根纳季·Poloka
    演员:Ivan Bortnik Pavel Kadochnikov Natalya Mikhailova
    延续了电影“我们的天职” 。电影的作品,人物传记,书信和回忆录作家和教育家迈克尔·罗扎诺夫(化名作家- H. Ognev)的基础上,从自己:一个精彩的电影为Poloka美妙的作家- H Ognev。他的书“Ryabtseva骨头日记”(1927年)和正怀着极大的兴趣阅读,我建议!有很多的。你可以阅读有关共产主义思想的崩溃,但一旦弗谢沃洛德Vishnevsky对自己说:“我从来没有无动于衷-甚至当他是个瞎子” 这部电影是暴力创伤现场,警告-星期六鞭打的图标下的俄罗斯风俗(魔鬼战斗所有的民俗风情)爸爸的孩子。辅导员并没有无动于衷,尽管安巴拉,父亲和他的同伴。三部分组成的电影“我们的使命”的延续
    我是一个前哨基地的领导者
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    我是一个前哨基地的领导者 - 电影

    1986苏联剧情·儿童
    导演:根纳季·Poloka
    演员:Ivan Bortnik Pavel Kadochnikov Natalya Mikhailova
    延续了电影“我们的天职” 。电影的作品,人物传记,书信和回忆录作家和教育家迈克尔·罗扎诺夫(化名作家- H. Ognev)的基础上,从自己:一个精彩的电影为Poloka美妙的作家- H Ognev。他的书“Ryabtseva骨头日记”(1927年)和正怀着极大的兴趣阅读,我建议!有很多的。你可以阅读有关共产主义思想的崩溃,但一旦弗谢沃洛德Vishnevsky对自己说:“我从来没有无动于衷-甚至当他是个瞎子” 这部电影是暴力创伤现场,警告-星期六鞭打的图标下的俄罗斯风俗(魔鬼战斗所有的民俗风情)爸爸的孩子。辅导员并没有无动于衷,尽管安巴拉,父亲和他的同伴。三部分组成的电影“我们的使命”的延续
    我是一个前哨基地的领导者
    搜索《我是一个前哨基地的领导者》
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    殉道者指南 - 电影

    2024波兰动画·短片
    导演:Maks Rzontkowski
    Presented at the Sundance festival, Martyr's Guidebook leaves no illusions – if you tend to be altruistic, you need to be careful. Otherwise, strangers will invade your life, and a wayward, overbearing angel will permanently appear, forcing you to watch Riverdale. Maks Rzontkowski's film is a one-of-a-kind, hilarious animation about how to remain true to yourself in a world of binding labels, false good advice, and toxic guides for every occasion.
    殉道者指南
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    殉道者指南 - 电影

    2024波兰动画·短片
    导演:Maks Rzontkowski
    Presented at the Sundance festival, Martyr's Guidebook leaves no illusions – if you tend to be altruistic, you need to be careful. Otherwise, strangers will invade your life, and a wayward, overbearing angel will permanently appear, forcing you to watch Riverdale. Maks Rzontkowski's film is a one-of-a-kind, hilarious animation about how to remain true to yourself in a world of binding labels, false good advice, and toxic guides for every occasion.
    殉道者指南
    搜索《殉道者指南》
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    变态者乌托邦指南 - 纪录片

    2022爱尔兰·英国·斯洛文尼亚纪录片
    导演:索菲亚·菲尼斯
    演员:斯拉沃热·齐泽克
    The end of the 20th Century was considered the end of history, even the end of utopias. With the fall of the Berlin Wall, liberal-democratic capitalism was finally accepted as the preferred socio-political system. Now, in the first half of the 21st Century, the last big utopia of the 1990s has disintegrated. We are faced with the calamities of exploding global warming, new wars that threaten to get nuclear, September 11, financial meltdown, digital control over our lives depriving us of our freedoms, and political populism driven by a depth of cynical self-interest that reveals the unstable nature of democracy itself. Slavoj Žižek is the closest thing philosophy has to a superstar. He returns to the screen with The Pervert’s Guide to Utopias, the third in the celebrated series of films directed by Sophie Fiennes. Through his unique analysis of classic films, mainstream blockbusters, cult B-movies, popular TV series, music videos and political and current events, Zizek provides the essential cognitive mapping for our predicament in these apocalyptic times. “With the rise of new threats, utopias were mostly replaced by dystopias which brought to an end the ongoing catastrophic tendencies,” says Zizek. “Movies became obsessed with some version of global apocalypse and a miserable post-apocalyptic life. But what one should take care to notice is that efforts to depict a new post-apocalyptic society often indulge in imagining a new authentic society of close personal links, without alienated state institutions. One man’s dystopia can be another man’s utopia. For today’s new populist Right, a society where sexism and racism are prohibited can only be a new totalitarian order. Today sexuality is permeated by opposing utopian visions of a new conservative order or the new ‘non-binary’ possibilities. Anarchist utopians think if we abolish the state authority, a new global solidarity will emerge.” Žižek’s matrix of ideas and Fiennes’ visually inventive direction delivers entertainment and revelation in equal measure. The Pervert’s Guide to Utopias does not offer a simple solution or seek to impart some dogma: it enables viewers to make their own choices and, above all, to become aware of the true implications of those choices.
    变态者乌托邦指南
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    监狱幸存者指南 - 纪录片

    2018美国纪录·犯罪
    导演:马修·库克
    演员:苏珊·萨兰登 帕特丽夏·阿奎特 丹尼·特雷霍
    NetFlix原创纪录片,本纪录片从布鲁斯与瑞吉的故事拍摄,他们是监狱的受刑人,在狱中为他们未曾承认犯下的谋杀罪名,度过了数年。观众将从他们的视角,窥视美国的监狱体系,导演对此并提出质疑。
    监狱幸存者指南
    搜索《监狱幸存者指南》
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    监狱幸存者指南 - 纪录片

    2018美国纪录片
    导演:马修·库克
    演员:苏珊·萨兰登 帕特丽夏·阿奎特 丹尼·特雷霍
    NetFlix原创纪录片,本纪录片从布鲁斯与瑞吉的故事拍摄,他们是监狱的受刑人,在狱中为他们未曾承认犯下的谋杀罪名,度过了数年。观众将从他们的视角,窥视美国的监狱体系,导演对此并提出质疑。
    监狱幸存者指南
    搜索《监狱幸存者指南》
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    新兴城市 - 电影

    1985美国动画·短片
    导演:比尔·普莱姆顿
    Originally a song by Jules Feiffer for National Public Radio, this is Bill Plympton's first released animated film. "Boomtown", as sung by the Android Sisters, is a musical about the absurdities of military spending from the Cold War to the present.   The Android Sisters sing about the alarming increase in U.S. defense spending during the cold war and its effect on various aspects of the domestic economy.
    新兴城市
    搜索《新兴城市》
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    新兴城市 - 电影

    1985美国动画·短片
    导演:比尔·普莱姆顿
    Originally a song by Jules Feiffer for National Public Radio, this is Bill Plympton's first released animated film. "Boomtown", as sung by the Android Sisters, is a musical about the absurdities of military spending from the Cold War to the present.   The Android Sisters sing about the alarming increase in U.S. defense spending during the cold war and its effect on various aspects of the domestic economy.
    新兴城市
    搜索《新兴城市》
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    领导来了 - 电影

    2019中国大陆剧情·短片
    导演:罗莎莎
    《领导来了》是一部现实主义短片,故事的类型是讽刺喜剧,但结局带有悲剧色彩。在我过去的受教育经验中,我的中小学老师在每一次领导视察之前,总会请全校师生一起打扫卫生,还会要求我们上课时积极回答问题,对待领导的态度也⾮常殷勤。因此我常常思考,这些视察到底能不能反映一个学校的真实情况,据此产生了这个剧本。我希望通过这样的风格使这个故事更加生动,并且能给予观众更深刻的思考。
    领导来了
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